Grief and personal loss fill in gaps in the Marvel Cinematic Universe in Friday’s episode of WandaVision, the eighth of the season and, at 48 minutes long, the longest to date. Titled Previously On, it is the instalment that most clearly ties the show’s events to other Marvel movies and TV shows, including Avengers: Age of Ultron and Agents of S.H.I.E.L.D.
At the same time, it is an origin story for the disorienting sitcom world that much of WandaVision has inhabited. Through a series of extended flashbacks, the tortured superheroine Wanda Maximoff (Elizabeth Olsen) relives the traumatising events that led her to transform the contemporary New Jersey suburb of Westview into the Hex, a TV-addled neighbourhood that she has surrounded with a mysterious energy dome and cut off from the outside world.
More often than not, Wanda’s flashbacks suggest that she is consistently motivated by the death of her loved ones, especially the loss of her parents, Iryna and Olek Maximoff (Ilana Kohanchi and Daniyar) and her brother, Pietro (Evan Peters). Previously On also hints at what motivates Wanda’s witchy rival, Agatha Harkness (Kathryn Hahn), whose antagonistic behaviour in WandaVision contrasts with her cryptic but benign personality from earlier Marvel comics.
Here are some of the key comic book and movie references in this week’s WandaVision episode.
Major spoilers follow.
Agatha Harkness’s Salem Witch Trials
The episode begins by flashing back to Salem, Massachusetts, in 1693, when Agatha was confronted and almost burned at the stake by a coven of witches. Evanora (Kate Forbes), the group’s leader and Agatha’s mother, accuses Hahn’s villainess of betraying her fellow spellcasters. This flashback parallels the beginning of Vision and the Scarlet Witch No. 3, when the aggrieved members of Salem’s Seven, Agatha’s coven, successfully burn her alive. (She had previously revealed to the Fantastic Four the location of New Salem, a secretive witch community, in Fantastic Four Annual No. 14.)
Wanda’s Parents and the Unexploded Bomb
Wanda first revisits her parents' deaths, which happen when the American military destroys their Sokovia hometown, Novi Grad, with bombs manufactured by Stark Industries. Wanda’s parents were first mentioned in Avengers: Age of Ultron, and in that movie she and her brother, Pietro (played in that movie by Aaron Taylor-Johnson), blame the industrialist turned superhero Tony Iron Man Stark (Robert Downey Jr) for their parents' deaths, leading them to ally with the megalomaniacal robot Ultron (James Spader).
Wanda also relives another moment that is mentioned, but not shown, in Avengers: Age of Ultron: During the bombing of Novi Grad, she and her brother were pinned under rubble for two days, waiting for one of Stark’s bombs to detonate. In Previously On, we learn that the bomb never exploded because Wanda defused it with her “chaos magic” powers. This unexploded bomb resembles the drone missile that was sent into the Hex by the superhero-regulating government agency SWORD (Sentient Weapon Observation and Response Department) in “On a Very Special Episode …,” the fifth episode of WandaVision.
HYDRA, the Mind Stone and Loki’s Scepter
After revisiting her childhood home in Novi Grad, Wanda remembers when she, as an adult, volunteered to be a test subject for deadly experiments that were conducted by HYDRA, a Nazi-like terrorist organization that served as the main villains in most of Marvel’s recent movies as well as the Agents of S.H.I.E.L.D. TV series.
Wanda recalls and expands on the post-credits scene from Captain America: The Winter Soldier, when she and Pietro were imprisoned by the HYDRA leader, Baron Wolfgang von Strucker. (Strucker’s name might ring a bell with WandaVision fans: There’s an ad for Strücker brand wristwatches in the show’s second episode.)
"The Snap": SWORD Headquarters
When Wanda remembers retrieving the Vision’s body from SWORD headquarters, TV news tickers in the lobby announce “families reunite” and “[celebrations] for the returned.” This alludes to a cataclysmic event from Avengers: Infinity War known as “The Snap.” That was when the philosophically inclined alien warlord Thanos (Josh Brolin) halved the world’s population simply by donning his all-powerful Infinity Gauntlet and snapping his fingers.
This means Wanda took the Vision’s body some time after Avengers: Endgame, which was when Wanda and her teammates undid The Snap’s effects.
The Vision’s Vibranium Body
During Wanda’s visit to SWORD headquarters, SWORD director Tyler Hayward (Josh Stamberg) explains that the Vision’s body must be destroyed because he is “one of the most sophisticated sentient weapons ever made.” That’s because the Vision’s body is made of Vibranium, an alien element that crash-landed in the African nation Wakanda (the main setting of Black Panther) during a meteor shower and was subsequently developed into an indestructible metal — it is used in some of the Marvel world’s most sophisticated and highly sought-after technology and weaponry, including Captain America’s shield. Ultron created the Vision’s body in Avengers: Age of Ultron using Vibranium stolen by the deranged and questionably accented South African arms dealer Ulysses Klaue (Andy Serkis).
The Vision’s New Look
The real Vision comes back to life during a mid-credits scene this week, but he doesn’t look the way he used to. He was destroyed twice in Avengers: Infinity War — first by Wanda, who was trying to stop Thanos from taking the Vision’s Mind Stone, and then by Thanos, who later used the Infinity Gauntlet to travel back in time and steal the stone.
Outside of Westview, Hayward reanimates Vision’s body using the chaos magic that rubbed off on the drone missile in Episode 5. Comics fans might recognise the Vision’s new off-white costume from West Coast Avengers No. 45, when an international team of spies deleted the android’s old personality and redesigned him after he, under the influence of the evil supercomputer ISAAC, tried to take over the world.
WandaVision streams on Disney+ Hotstar.
Simon Abrams c.2021 The New York Times Company
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